Through conceptual thinking, documenting the process of making and the continual sequence of a piece of work underlies how I am now endeavouring to picture memory. Memory is difficult - it is not what is actual in the moment; overtime it can shift and can seem all together lost. I endeavour to make structures to help ‘hold’ the memory and a framework to make loss a source of legitimate other.’

The Images in this section are selected from bodies of work completed and in process:

My Tree, Transitions, Cut Outs and Clay.

Thinking on paper is remembering, recording, capturing concepts and are the nuggets that bodies of work pivot on.

The next section is a selection of paintings on handmade paper. They are intimate sketches with titles of the ‘idea’ rather than the name of a finished peice.

Making paintings that are more than a sketch, that are part of a body of work on the same theme but are not of a sequence, means they need to stand on their own, complete in every way.

This selection of oil on linen painting come from the body of work called Searching for Eden